Ellen and Rigby

The Stage - Alfie Heywood’s set revolves between the clinical aspects of the pandemic and the cluttered, homely side: a comfortable cocoon of soft furnishings and succulents where most of the action unfolds, complemented by Ian Scott’s clearly delineated lighting design.

 

The Reviews Hub - One massive surprise was the set by Alfie Heywood. Heywood's rotating set is beautifully constructed and has so many details that often one found myself reading the posters and looking for the little touches of detail that adorn the stage.  

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Lost in Colomendy

The Stage - The DIY giant is realised in Alfie Heywood's ambitious revolve set, which also includes a grubby dorm - garnering murmurs of recognition from the audience, and a triumphant representation of Moel Famau complete with a criss-cross of pathways and perspectives.

 

North Westend - Alfie Heywood's design is spectacular. All three large sets look very realistic and the mountain set was particularly impressive and very well used.  

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Private Lives

 

Stage Talk Magazine - Alfie Heywood’s set design works well too, both during a claustrophobic Act One when the four leads are marooned in their hotel room and on their balconies, but especially in Acts Two and Three, set in the increasingly chaotic battleground of Amanda’s Parisian flat, complete with art deco touches, beautiful artworks and bold colours.

 

A Greasy Spoon

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North Westend - The ‘Scrantastic’ set is bold and bright with beautiful attention to detail – a combined effort of many that really pays off. It fits the stage well and is utilised strongly by the performers.

 

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